MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03522cam a22003254a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
17375379 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20201215121856.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
120706s2012 cauaf b 000 0beng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2012027486 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9788132109518 (hbk. : alk. paper) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Transcribing agency |
IISERB |
| Modifying agency |
DLC |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN2888.T36 |
| Item number |
K38 2012 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
792.092 K159H |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Katyal, Anjum. |
| 9 (RLIN) |
26688 |
| 222 ## - KEY TITLE |
|---|
| Key title |
HSS-reference book collection |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Habib Tanvir : |
| Remainder of title |
towards an inclusive theatre |
| Statement of responsibility, etc |
Anjum Katyal. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
New Delhi : |
| Name of publisher, distributor, etc |
SAGE Publications, |
| Date of publication, distribution, etc |
2012. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxvi, 176 p., [24] p. of plates : |
| Other physical details |
ill. (some col.) ; |
| Dimensions |
25 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Introduction: Making space for the oral tradition in Indian theatre today -- Growing up in Raipur, and early influences -- The Bombay years -- New directions: Delhi and Agra Bazaar -- England, Europe and Brecht -- Coming home to Mitti ki Gadi -- Naya theatre and other milestones -- Charandas Chor -- Working with the Chhattisgarhis -- The classics and literature -- Connecting with the folk -- Music, song and dance -- The political Habib Tanvir -- Appendices: List of plays directed by Habib Tanvir -- Awards, honours and milestones. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"Habib Tanvir (1923-2009), playwright, director, actor, journalist, critic, is probably best known for his most popular play, Charandas Chor (1974). However, his real significance in the history of post-independence Indian theatre is that he signposted an important path for the development of modern theatre in India. His productions with Naya Theatre using Chhatisgarhi folk actors opened up a new direction on the map of theatre in India He pioneered an alternative to the dichotomy between the 'theatre of roots' movement (which turned to the Sanskrit Natyashastra and regional performance forms for content, style, training and form) and western-influenced, realist urban theatre styles. His was an inclusive approach to modern theatre which had the space in it for folk actors, who brought with them a whole culture and aesthetic rapidly being marginalized by mainstream theatre in India. His was neither folk theatre nor theatre of roots; neither revisionist nor revivalist; nor could it be classified as realism or naturalism. Neither was it exotic 'ethnic spectacle' like that of some of his peers. His was a serious exploration of how one could do modern theatre integrated with age-old - and yet equally contemporary - folk culture on a basis of equality. This study of Habib Tanvir will analyse his theatre and its contribution to Indian theatre history. Starting with his early life and preparation for his life's work, it will look at his professional trajectory from Agra Bazaar to Gaon Ka Naam Sasural, when he was experimenting and searching for his true form; to Charandas Chor, which expressed the full flowering of his mature style; thereafter the book will explore various important aspects of his theatre philosophy and practice as he experimented with content rather than form."--Provided by publisher. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Tanavīra, Habība. |
| 9 (RLIN) |
26689 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Actors |
| Geographic subdivision |
India |
| -- |
Madhya Pradesh |
| Form subdivision |
Biography. |
| 9 (RLIN) |
26690 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Theater |
| Geographic subdivision |
India |
| -- |
Madhya Pradesh. |
| 9 (RLIN) |
26691 |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
|---|
| a |
7 |
| b |
cbc |
| c |
orignew |
| d |
1 |
| e |
ecip |
| f |
20 |
| g |
y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Books |
